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Abstract We examine provenance data collected from three types of geological resources recovered at Goat Spring Pueblo in central New Mexico. Our goal is to move beyond simply documenting patterns in compositional data; rather, we develop a narrative that explores how people's knowledge and preferences resulted in culturally and materially determined choices as revealed in those patterns. Our analyses provide evidence that residents of Goat Spring Pueblo did not rely primarily on local geological sources for the creation of their glaze paints or obsidian tools. They did, however, utilize a locally available blue-green mineral for creation of their ornaments. We argue that village artisans structured their use of raw materials at least in part according to multiple craft-specific and community-centered ethnomineralogies that likely constituted the sources of these materials as historically or cosmologically meaningful places through their persistent use. Consequently, the surviving material culture at Goat Spring Pueblo reflects day-to-day beliefs, practices, and social relationships that connected this village to a broader mosaic of interconnected Ancestral Pueblo taskscapes and knowledgescapes.